Jane Roscoe joined The London Film School as Director in 2014. She comes to LFS with over 20 years experience as an academic and broadcaster in Australia, New Zealand and the UK. At the Australian Film, Television & Radio School, she launched the Centre for Screen Studies & Research, and led a number of large-scale industry-focussed research projects. She has been Network Programmer at Australia's SBS Television, and was responsible for launching SBS Two. More recently, as the UK-based Head of International Content at SBS, she acquired world feature films in a wide variety of languages, and brokered an impressive slate of international co-productions. She is a regular industry and academic commentator, and has published extensively on screen audiences, documentary and mock documentary.
Head of Studies
Gisli Snaer is an award winning film director, and a graduate of La Fémis in Paris, France.He comes to London Film School after heading the Puttnam School of Film, LASALLE College of the Arts in Singapore.
Snaer is a Lumen Prize 2016 Longlist Artist, and has served as a member of the international jury at the 2002 Berlin International Film Festival Kinderfilmfest, the Ale Kino Film Festival in Poland 2003, Singapore Creative Video Competition 2011, Endeavours International Documentary Film Festival 2014 and 2015 in Singapore, and as a Head Jury for the Asian European Foundation photo competition 2015. Snaer is a member of the European Film Academy, and the Directors Guild of Iceland. His academic research interests include The Transformative Process and Continuous Adaptation of the Novel to Screen, Ambiguity and Subtext in Visual Media, The Evolution of Story, Storymaking and Storytelling.
Philip Ramge joined The London Film School in February 2015. Upon completion his studies in Australia, he moved to the UK to pursue a career in Higher Education. After working as lecturer and course leader for a number of years, Philip focussed on higher education management, both at campus and national level. Throughout his career, he worked on a series of academic quality reviews, administrative and compliance reviews, and programme validations. Before joining LFS, Philip oversaw academic quality and academic partnerships across Europe for a private higher education provider. In his position at LFS, he leads Acacdemic Registry and oversees admissions, academic quality, programme administration, and compliance.
Head of LFS Open
Prior to joining the London Film School as Head of LFS OPEN, Dan acted as Partnership Manager for Creative Skillset, helping talent and businesses across film, TV, animation, VFX and games to develop their skills and careers, access training and development support, and connect talent to industry.
Previously Dan has run multimillion-pound film and TV investment funds supporting both production and development, acting as Executive Producer on a string of hit feature film and TV drama projects garnering BAFTAs, Golden Globes and many more awards including One Mile Away, Line of Duty and Dancing on the Edge.
Dan has also delivered major creative industries projects including Film Nation: Shorts, the official, UK-wide young people’s filmmaking competition of the London 2012 Olympic & Paralympic Games.
LFS Head of Cinematography
Leaving university in the early 1980’s with a degree in Social Anthropology and Visual Studies, Cox’s ambition to become a camerawomen initially led her to joining the camera rental house, Tattooist International, as a camera trainee.From there, she worked her way from Clapper Loader to Focus Puller before becoming the Camera Operator on Distant Voices Still Lives [1988, BFI] and The Long Day Closes [1992, BFI] for British Director Terence Davies.During that period her cinematography credits include documentaries and shorts for the BFI, BBC and Channel 4.
In the mid ‘90’s whilst on a career break, she wrote her thesis Motivating light: the visual legacy of Rembrandt and Vermeer for an MA in Independent Film at The London Institute. Upon her return to work she decided to teach and was appointed Head of the Camera Department at The London Film School in 2000 where she currently teaches and runs the Cinematography department for LFS’ MA Filmmaking programme. For the University of Exeter’ PhD programme, she co-supervises the cinematography practice.
During the past 10 years, as a cinematography educator, Cox has delivered Creative Skillset funded outreach programmes for 14 year-olds [Highbury 2011] and two professional one-year craft extension programmes for LFS.She works internationally; co-led Light as Inspiration workshops with Nic Knowland BSC [Jamaica, 2010], advising European films school on curriculum evaluation boards and assimilating digital theories and work practices into their curriculum.Cox presented Teaching Cinematography into the Digital Age [Budapest 2011] and more recently at Seeing Light at Three layers of Story Telling [Budapest 2016].Harriet participated at the Round Table for film schools, Image Aesthetic at the time of digital cinema [Poitiers 2013] and Cinematography in Progress [Brussels 2014]. Most recently Harriet was a speaker on the Women in Cinematography panel at Cinefest [Bristol, 2015] and the BSC EXPO panel Creativity through Discipline in Digital film making [London 2016].
Head of Production Design
Matthew Button designed his first feature in 2004, and has been consistently in demand ever since, for feature films and TV. In 2014 he was nominated for the Royal Television Society ‘Best Production Design’ award and in 2015 he was nominated for a BAFTA, as a member of the production team on BBC’s ‘Our World War’.
LFS Head of Screenwriting
Brian has an MA in Sociology from Edinburgh University and is a graduate of the National Film and Television School. He is a published author and critic who has written songs, documentaries, plays and scripts for radio, television and cinema. He is an award-winning short filmmaker and director with special screenings of his work at the Cinematheque (Paris) and the National Film Theatre (London). His commissioned feature writing includes screenplays for Working Title, BBC Films and Scottish Screen. Formerly Head of Screenwriting at the Northern Film School he organizes workshops on an international basis most recently in Norway, Ghana, Cuba and the Scenario! screenwriting event with the Institute Francais in London. He is currently External Examiner for the MA Screenwriting at the Screen Academy in Scotland then LaSalle College of the Arts in Singapore. He is also the Course Leader of the MA Screenwriting at the London Film School
LFS Head of Editing
Jaime started as an assistant film editor in 1983, became an editor in 1990 and applications Avid Editor in the United kingdom since 1994. He was an Avid Film Products Specialist for Avid Europe, Avid Certified Instructor and Avid Instructor and Consultant for feature films using Avid Film Composer on projects such as: Bond's Tomorrow Never Dies; Lucas's The Empire Strikes Back; Kubrick's Eyes Wide Shut; Spielberg-Hanks's Band of Brothers. Jaime has given numerous workshops on non-linear editing for documentaries and feature films in Europe, Asia, and Latin America and has been working as a freelance film editor since 1999 with wide experience supervising all the post-production stages to take film through to digital finishing.
Writer-Director and LFS 6th Term Tutor
Writer-director, born in London to Anglo-Polish parents. After studying literature then film at University of Kent at Canterbury, became Visiting Research Scholar in Film at University of California at Berkeley before returning to the UK to work in the independent film sector and higher education. Short films including Alfalfa and Flames of Passion were distributed internationally. Work as a director for British TV received Royal Television Society and D&AD (Gold and Best of Year) awards and a Prix Italia nomination. Feature-films Love and Death on Long Island (John Hurt and Jason Priestley), and Owning Mahowny (Philip Seymour Hoffman and Minnie Driver) both made Best of Year critics’ lists. Awards include prizes from Cannes Film Festival, Berlin Film Festival, New York Film Critics Circle, US National Board of Review, and BAFTA. He teaches directing, screenwriting and acting-to-camera at a range of institutions in the UK and beyond, and has contributed to many European initiatives in feature film development. His LFS directing workshop for film students and actors has just celebrated its 200th edition. His name is easier to pronounce than it looks: Kfee-etnee- ov-skee.
Term Three and Five Course Tutor
After a degree in Economics and a spell as an advertising copywriter Les Blair enrolled as a student at the London Film School. In 1969 he spent six months in Prague as an exchange student at FAMU where he made a short documentary about life under the Soviet bloc invasion which was shown by the BBC before being snatched back by the Czech authorities. On returning to London he produced and edited Mike Leigh’s first film Bleak Moments before launching his own career as a director with a string of films made for television which he wrote and directed after extended improvised rehearsal with the actors. He also directed the work of other writers, most notoriously G.F.Newman’s Law and Order which secured a place in television history with its portrayal of endemic corruption in the police and judicial system. His TV films News Hounds and The Accountant both won BAFTA’s for Best Single Drama. He has written and directed feature films for the Cinema including Bad Behaviour which won the Evening Standard Peter Sellers award for comedy. His work for the theatre includes Becket’s Waiting for Godot and two plays of his own.
Term Four Course Tutor
Producer and LFS 6th term Tutor
Sue has worked in independent film and television production since 1982. Her career began at the now legendary Goldcrest Films, where she worked for four years on programmes produced for the new Channel 4. After Goldcrest’s collapse Sue spent a short time as a freelance script editor, before joining Granada Films as Head of Development. Whilst there she worked on a number of feature films including David Hare’s STRAPLESS and Aisling Walsh’s first feature, JOYRIDERS. Sue left Granada to co-produce the medical thriller, PAPER MASK, co-funded by Film 4 and British Screen, released in over 70 territories and selected as the closing film in Director’s Fortnight at the Cannes Film Festival in 1990.
Sue then spent 5 years working at the European Script Fund, part of the MEDIA (Creative Europe) organisation and returned to production in 1997 with her first television film, VICIOUS CIRCLE, developed and produced for BBC Films and Irish Screen. This was followed by the BAFTA nominated comedy drama DONOVAN QUICK starring Colin Firth. Over the next twelve years she produced more than 50 hours of primetime television drama for BBC1, BBC2 and ITV and received a second BAFTA nomination.
She continues to develop new productions as well as tutoring and lecturing part time at the London Film School, Goldsmiths University, Serial Eyes and Regents University.
PA to the Director/CEO
My first job after graduating was working for producer Olivia Stewart's production company Three Rivers as Olivia's assistant. My first and only credit was on Terence Davies' The House of Mirth (2000) and I cried when I saw my name - I was very proud.
After a roller coaster seven years I decided that instead of trying to make great films I wanted to promote them and found myself working for The Weinstein Company in their London office as part of the international publicity team. That was an experience.
Two years later I freelanced for Premier PR working on the BFI London Film Festival account as the Press Screenings and Press Delegate Centre Manager - I did that for the 2008 film festival, and as a glutton for punishment went back again for the 2009 film festival. In between I was an Event Account Manager for Firmdale Hotels looking after entertainment clients.
I volunteered for the Birds Eye View Film Festival for a while before joining the press team for the BFI where I was fortunate enough to work with some amazing people and got to work on, see and do amazing things.
I've now come full circle, back to doing what I enjoy and do best - being a PA to a very inspiring woman.
MAIFB Course Leader
Angus Finney is a leading international film and creative industry specialist. His work includes risk management for Octopus Media, part of Octopus Investments – a £1.5bn City of London fund manager, MBA-level teaching at The Judge Business School, Cambridge University and Cass Business School, City University, London, and he is the producer of Europe’s only Production Finance Market, hosted by Film London. Finney was managing director of Renaissance Films from 1999-2005 where he oversaw financing and sales.
Finney’s fourth and most recent book is: The International Film Business – A Market Guide Beyond Hollywood (Routledge) was published in May 2010. A second edition will be published in 2013. Finney has personally trained more than 800 film producers, company executives and students since 2005, and delivered master classes and lectures at Judge, Cass, Grenoble and Copenhagen Business Schools over the past five years.